NTU Conference proceedings
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| SN | Particulars | |
|---|---|---|
| 1 | TABLE OF CONTENTS | click to view |
| 2 | CONTENTS | click to view |
| 3 | ACKNOWLEGMENT | click to view |
| 4 | INTRODUCTION | click to view |
| 5 | FULL PAPER | click to view |
| 6 | THE STRUCTURE OF THE GHANA FASHION INDUSTRY IN THE IMPLEMENTATION OF SUSTAINABLE STRATEGIES | |
| 7 | AKOSUA MAWUSE AMANKWAH, EDWARD APPIAH, CHARLES FRIMPONG AND ANTHONY KENT* | click to view |
| 8 | HOW DOES PROTEST WEAR CONTRIBUTE TO WOMEN’S ACTIVISIM | |
| 9 | M DENIZ ASLAN | click to view |
| 10 | THE FUTURE OF FASHION EDUCTAION: ADDRESSING, PEDAGOGY, POLICY AND PROFESSIONALISATION | |
| 11 | ANTHONY BEDNALL | click to view |
| 12 | DISRUPTING PLACE-BASED FASHION FUTURES | |
| 13 | MARTIN BONNEY | click to view |
| 14 | FASHION’S AWKWARD RELATIONSHIP WITH COOL – AND WHY IT MATTERS NOW | |
| 15 | VANESSA BROWN | click to view |
| 16 | DECODING SOFT: GEN Z SOFT MASCULINE MENSWEAR TRENDS THROUGH SEMANTIC NETWORK ANALYSIS | |
| 17 | TIN CHUN CHEUNG AND SUN YOUNG CHOI | click to view |
| 18 | REVOLUTION RETOLD: CLASSROOM TO REAL WORLD. | |
| 19 | LAUREN COPELAND AND KENDRA LAPOLLA | click to view |
| 20 | INSIDE THE WESTMINTERS MENSWEAR ARCHIVE: A CASE STUDY OF GARMENT-RESEARCH AS A PEDAGOGICAL PRACTICE | |
| 21 | ANDREW GROVES, | click to view |
| 22 | THE CHANGING FACE OF KHADI: A HERITAGE FABRIC | |
| 23 | SHRUTI GUPTA | click to view |
| 24 | T-EXTINCTION: A CO-CREATED FASHION AND TEXTILES SUSTAINABILITY AWARENESS PROJECT THAT TAKES A LONG-TIME APPROACH | |
| 25 | CAROLYN HARDAKER, SALLY GAUKRODGER-COWAN AND BUDDY PENFOLD | click to view |
| 26 | THE POSSIBILITY OF UNSEEN CREATION WITH WHITE, ‘THE COLOUR OF NOTHINGNESS’ | |
| 27 | SAYAKA KAMAKURA, . | click to view |
| 28 | AN ATTEMPT TO CREATE A NEW VALUE OF TRADITIONAL JAPANESE CLOTH: SUSTAINABLE CLOTHING DESIGN USING SAKIORI WEAVING | |
| 29 | KYOKO KUBODERA,. | click to view |
| 30 | TAKING STUDIOS VIRTUAL AND ELEVATING CRAFT | |
| 31 | TRACI LAMAR AND KATE NARTKER | click to view |
| 32 | RE-DESIGN FOR PRE-DESIGN: DISCARDED GARMENTS AS A TOOL FOR GARMENT-BASED LEARNING IN FASHION KNITWEAR DESIGN EDUCATION | |
| 33 | KARIN LANDAHL AND STEPHANIE MALMGREN DE OLIVEIRA | click to view |
| 34 | PRACTITIONER-RESEARCH LEARNING: A STUDY OF ADDING RESEARCH ELEMENTS IN FASHION AND TEXTILE DESIGN EDUCATION.... | |
| 35 | QINGXIN PENG AND KINOR JIANG | click to view |
| 36 | PASSING THROUGH GENERATIONS WITH GRACE: THE JOURNEY OF A TRADITIONAL SILK SAREE IN VARIOUS FORMS AND SIZES BEFORE THE DISPOSAL | |
| 37 | GEETHA RANJINI AND DR. SASIREKHA | click to view |
| 38 | RIGWNAI FROM COSTUME TO PRODUCT DIVERSIFICATION: A STUDY ON REVIVAL OF TRIBAL TEXTILE OF THE REANG TRIBE OF TRIPURA INDIA | |
| 39 | PARAMITA SARKAR, NILANJANA BAIRAGI AND AVANI PANDEYA | click to view |
| 40 | THE AFFORDANCES OF AFFORDANCE THEORY FOR SUSTAINABLE FASHION DESIGN PEDAGOGY | |
| 41 | ALEXANDRA SHERLOCK, TASSIA JOANNIDES AND PENNIE JAGIELLO, | click to view |
| 42 | WEARING DIGITAL BODIES: DESIGNING AND EXPERIENCING DRESS AS POLY-BODY OBJECTS AT THE INTERSECTION OF THE PHYSICAL AND THE DIGITAL | |
| 43 | JAN TEPE, . | click to view |
| 44 | PRODUCT DIVERSIFICATION AND DESIGN DEVELOPMENT IN HANDICRAFTS: A STUDY OF ARTISANS AT KHETIKHAN AND LOGAGHAT (UTTARAKHAND, INDIA) | |
| 45 | SHAGUN TEWARI AND A. SRINIVASA RAO | click to view |
| 46 | MOVING BEYOND THE INNOVATIVE: AN EXPERIMENT IN DEMYSTIFYING DECONSTRUCTED FASHION | |
| 47 | NITHYA VENKATARAMAN AND N. ELANGOVAN, | click to view |
| 48 | LOOKING FOR THE TV SOUND: MUSIC VIDEO AS FASHION OBJECT | |
| 49 | AILSA WEAVER | click to view |
| 50 | DESIGNER’S PERSPECTIVE OF DIGITAL KNITTING: FROM FASHION DESIGN TO WEARABLE TECHNOLOGY | |
| 51 | YISHU YAN | click to view |
| 52 | INTERACTIVE PRACTICES IN REMOTE TEACHING OF STUDIO CLASSES: A JEWELLERY DESIGN CASE STUDY | |
| 53 | WENDY YOTHERS AND TOMOYUKI CHIE TERATANI | click to view |
| 54 | EMERGING DISTINCTIONS IN GLOBAL FASHION: A NEW LANDSCAPE FOR FASHION CAPITALS? | |
| 55 | DAVID ZAJTMANN | click to view |
| 56 | (CO-) DESIGN FOR UNDERSTANDING: MEDIATING BETWEEN PROCESSES OF MULTI-STAKEHOLDER VALUE CREATION TOWARDS CIRCULAR FASHION AND TEXTILES | |
| 57 | FREYA ZAPLATA, ANJA KÖPPCHEN, THERESIA GREVINGA AND DANIËLLE BRUGGEMAN | click to view |
| 58 | DEVELOPMENTAL PAPERS | click to view |
| 59 | CREATIVE CUTTING APPROACHES: DESIGNING THROUGH A METHOD | |
| 60 | CORNELIU DINU BODICIU, | click to view |
| 61 | A GUIDELINE FOR CONSCIOUS ENGAGEMENT WITH CRAFT ARTISANS . | |
| 62 | MARTIN BONNEY | click to view |
| 63 | THE ROLE OF CHATBOTS AND THE ONLINE CUSTOMER EXPERIENCE IN LUXURY FASHION RETAILING | |
| 64 | RUOFEI CHEN | click to view |
| 65 | MATERIAL ENCOUNTERS: USING VIDEO ELICITATION AND JOURNALING TECHNIQUES TO UNDERSTAND THE HANDS-ON EXPERIENCE OF BEGINNERS LEARNING TO SEW CLOTHES FOR THEMSELVES DURING A GLOBAL PANDEMIC | |
| 66 | SALLY COOKE | click to view |
| 67 | HUMAN PSYCHE AND NEW NORMAL POST COVID-19 IN FASHION RETAIL SPACES IN INDIA | |
| 68 | VIBHAVARI KUMAR | click to view |
| 69 | COLLABORATION AND THE REIMAGINED SURVIVAL OF THE CO-OPERATIV: AN ANALYSIS OF THE CHALLENGES IN SUSTAINING A SMALL BUSINESS TEXTILE WEAVING INDUSTRY IN BOTSWANA | |
| 70 | ANNE PEIRSON-SMITH AND MAUREEN SINDISIWE KALANE | click to view |
| 71 | THE CHALLENGE OF SUSTAINABILITY TEACHING IN FASHION: A METHOD MERGING PRACTITIONERS AND RESEARCHERS. | |
| 72 | SILVIA PÉREZ-BOU, PEDRO MIR, PATRICIA SAN MIGUEL AND TERESA SÁDABA | click to view |
| 73 | THE IMPACT OF COVID-19 ON FASHION CONSUMER BUYING PERCEPTION | |
| 74 | SUSHIL RATURI | click to view |
| 75 | KNITWELL:RECORDING EMOTIONAL STATE THROUGH CREATIVE, OPEN-ENDED KNITTING PRACTICE | |
| 76 | EMILY JOY RICKARD, | click to view |
| 77 | BIOTECHNOLOGY, BIO-FABRICATION, BIO FASHION: FROM LIVING ORGANISMS TO GARMENTS | |
| 78 | ELIF SELAMET | click to view |
| 79 | A CUT ABOVE THE REST: CONTEXT, CRITICALITY AND CRAFT OF CREATING A SAREE BLOUSE | |
| 80 | TARUNA VASU | click to view |
| 81 | INTERPRETING FASHION WITH BENFORD LAW: A PROBABILISTIC APPROACH | |
| 82 | DEEP SAGAR VERMA | click to view |
| 83 | DIGITISED FASHION SHOWS AND FASHION WEEKS IN THE COVID-19 AND POST COVID-19 ERA: THE CHANGING FORMATS AND MEANINGS OF MEDIATING FASHION. | |
| 84 | ZHE WANG | click to view |
| 85 | UNISEX FASHION: EXPLORING THE BARRIERS THAT PREVENT MARGINAL PRACTICES FROM BECOMING MAINSTREAM | |
| 86 | ZIJIE XU, JACK COFFIN AND ROSY BOARDMAN | click to view |
| 87 | EXPLORING THE INTEGRATION OF BOTH HUMAN AND TECHNOLOGY SERVICE INTERACTIONS IN FASHION RETAILING | |
| 88 | EDEN ZHANG | click to view |
| 89 | WORKSHOPS | click to view |
| 90 | NOTTINGHAM LACE: TEXTILE HERITAGE AND AUTHENTIC VOICES | |
| 91 | PROFESSOR AMANDA BRIGGS-GOODE, DR GAIL BAXTER, NICHOLA BURTON AND TONYA OUTTRAM | click to view |
| 92 | ACCELERATING ACTION FOR THE SUSTAINABLE AND CIRCULAR GARMENT AND FOOTWEAR INDUSTRY OF THE FUTURE: HARNESSING THE POTENTIAL OF DIGITAL INNOVATION FOR DUE DILIGENCE AND INFORMED CONSUMER CHOICES | |
| 93 | HILDE HEIM, COURTNEY CHRIMES AND YONGHONG PENG | click to view |
| 94 | FASHION FICTIONS WORLDS TOUR | |
| 95 | AMY TWIGGER HOLROYD AND MATILDA ASPINALL | click to view |
| 96 | FASHIONING KNOWLEDGE EXCHANGE: FACILITATING OPEN COLLABORATIONS TO RE-IMAGINE FASHION MEDIATING FASHION | |
| 97 | NOËL PALOMO-LOVINSKI, LINDA OHRN-MCDANIEL AND LOUISE VALENTINE | click to view |
| 98 | PRACTICE-BASED WORK | click to view |
| 99 | THE CUBOID: RECLAIMING EASTERN JAPANESE CRAFT AND SPECULATING FASHION EXHIBITION THROUGH THE METAVERSE | |
| 100 | MICHAEL CHARLES, DANIEL REZANDI, PHILIP CHEE, CLARICE NG, ANDRIAN FIRMANSYAH AND NANDA HANDARU | click to view |
| 101 | FEELING FICTION. | |
| 102 | EMMA LYNAS | click to view |
| 103 | SHADOW WEAVE | |
| 104 | KATE NARTAKER | click to view |
| 105 | MEMORIES: APPAREL DESIGN BLENDING ART, CRAFT, AND DIGITAL TECHNOLOGY. | |
| 106 | KRISSI RIEWE STEVENSON | click to view |
| 107 | REDESIGNING PPE: ENHANCING THE COMFORT AND SAFETY OF HEALTHCARE WORKERS WEARING ISOLATION GOWNS TO TREAT PATIENTS WITH COVID-19. | |
| 108 | KATHERINE TOWNSEND, SONJA STERMAN, ELOISE SALTER AND KAREN HARRIGAN | click to view |
| 109 | POSTER ABSTRACTS | click to view |
| 110 | EXPLORATIONS OF AI-GENRATED ARTWORK AS A CONCEPTUAL BOARD: WALKING INTO THE METAVERS. | |
| 111 | LIDYA CHRISFENS | click to view |
| 112 | THE GLASS BANGLE INDUSTRY OF FIROZABAD: A CONFLICT OF PARALLELS | |
| 113 | SAUMYA GUPTA, ZEENAT KAISHER, SUSHMA S. JOIS, CHARUL SHAH, PRIYANSHI SHUKLA, ANAMIKA DEBNATH AND MONTU BASAK | click to view |
| 114 | CREATING IMMERSIVE ONLINE SHOPPING EXPERIENCE FOR AN UPCYCLED FASHION BRAND | |
| 115 | CONGYING GUAN | click to view |
| 116 | SHANGRI-LA:SMART FASHION COLLECTION INTERACTING WITH APP VIA INTERNET OF THING (IOT) | |
| 117 | LI SHAO | click to view |
| 118 | HAND TO MIND: THE PARADIGM SHIFT IN FASHION EDUCATION | |
| 119 | LAVDEEP SINGH | click to view |
| 120 | PROACTIVE EDUCATION AS A TOOL FOR MEDIATING FASHION ACROSS BORDERS: BUILDING A LIBRARY OF FASHION BUSINESS CASE STUDIES TO TEACH SUSTAINABILITY | |
| 121 | VLADIMIRA STEFFEK AND ROSSIE KADIYSKA | click to view |
| 122 | ARTISTS IN RESIDENCIES OR HACKATHONS? FUTURE RECRUITMENT STRATEGIES IN FASHION-TECH | |
| 123 | MICHELE DANJOUX AND JOSE TEUNISSEN | click to view |
| 124 | AN ETHNOGRAPHIC STUDY ON MOTIFS OF TANGALYA WEAVING | |
| 125 | HIR VYAS | click to view |
| 126 | WEAVE COLOUR SCOPE INSPECTION IN JACQUARD WOVEN FABRIC REPRODUCTION IMPROVEMENT | |
| 127 | LEI ZENG, KEN RI KIM, AND JOHN XIN | click to view |
| 128 | POSTER GALLERY |
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