IFFTI ANNUAL PROCEEDINGS – 2024
Table of Contents
| CONTENTS | |
| ACKNOWLEDEGMENTS | |
| INTRODUCTION | |
| TEXT-BASED PAPERS | |
| REVISITING HUMANISM IN A POST-HUMANISTIC PARADIGM: THROUGH THE LENS OF INDI- AN CRAFTS | |
| Surbhi Ahuja & Saurabh Tewari | 14-22 |
| DEBUNKING THE UNCANNY VALLEY THEORY FOR VIRTUAL INFLUENCERS: IS TRANSHUMAN PERFECTIONISM ALL BAD IN THE FASHION INDUSTRY? | |
| Alice Audrezet & Bernadett Koles | 23-29 |
| REVIVING TRADITIONAL FABRIC BOARD GAMES: KALA RAKSHA’S ENDEAVOUR IN GUJARAT | |
| Kakoli Biswas & Vibha Kalaiya | 30-40 |
| THE PRACTICE OF ARTISANAL COLLABORATIONS: THE PERSPECTIVE OF CHANGEMAKERS | |
| Claudia Chmielowiec & Andrée-Anne Lemieux | 41-53 |
| THREADS OF TRANSFORMATION: REIMAGINING FASHION WITH JANE BENNETT’S NEW MATERIALISM | |
| Yoonhee Cho & Borim Joo | 54-61 |
| MICROSCOPIC EXPRESSION: REFRAMING TRADITIONAL NOTIONS OF FASHION, IDENTITY, AND THE HUMAN-NATURE-TECHNOLOGY RELATIONSHIP | |
| Elisabeth Droog | 62-66 |
| “LOOKS” AN EXHIBITION OF CROSS-DISCIPLINARY TRANSFORMATIVE PERSPECTIVES POST COVID ENABLING HUMAN-CENTRIC VALUES AND PRACTICE BASED PROFESSIONAL SKILLS. | |
| Anze Ermenc, Becky de Lacy, Sarah Easom & Sonia Genders | 67-73 |
| THE FUNCTION OF THE DRESS IS TO CONNECT WITH NON-HUMAN ANIMALS AND TECHNOLOGY | |
| Madhumita Ghosh Sharma | 74-89 |
| INTROSPECTION BEFORE ACTION: SOCIAL RESPONSIBILITY IN FASHION EDUCATION FOR SUSTAINABLE DEVELOPMENT | |
| Haroop Kaur Grang | 90-97 |
| “NOT IF IT TOUCHES MY SKIN!” UNCOVERING STIGMAS TOWARDS THE CONSUMPTION OF PREVIOUSLY WORN CLOTHES AND POTENTIAL IMPLICATIONS FOR THE TRANSITION TO A CIRCULAR FASHION SYSTEM | |
| Lauren Junestrand & Bethan Alexander | 98-105 |
| ANTI - VANITY IN THE TRANSHUMANISM ERA ? (BIO-IMPLICATED DESIGN) | |
| Soo Young Kim | 106-117 |
| PUBLIC INTEREST IN CIRCULAR FASHION IN POST-PANDEMIC SCENARIO: ANALYSIS AND EVOLUTION PATHS FROM GOOGLE TRENDS DATA | |
| Jian Li, Zhongyu Wang, Yunyi Wang & Jun Li | 118-128 |
| FROM HAZARD TO HOPE: EMPOWERING SANITATION HEROES WITH WEARABLE INNOVATION | |
| Kundlata Mishra & Shweta Rangnekar | 129-136 |
| FROM EXTRACTIVE TO GENERATIVE SOURCING:MAKING REGENERATIVE AGRICULTURE WORK | |
| Marco Mossinkoff & Sophia Rebekka Kiefer | 137-141 |
| A REVIEW OF EMERGING SUSTAINABLE FASHION BUSINESS MODELS: TRIPLE BOTTOM LINE PERSPECTIVE | |
| Tarun Panwar, Rajkishore Nayak & Long TV Nguyen | 142-151 |
| NARRATIVES OF NON-HUMAN OTHERS IN FASHION ECOSYSTEM: INCLUSION AND DIVERSITY | |
| Kyunghee Pyun, Rebecca bauman, Susanne Goetz, Linda Kim & Vincent G. Quan | 152-158 |
| CRAFT SEEDING THROUGH SKILL DEVELOPMENT: THE HEART-FELT PROJECT | |
| Shresha Rai | 159-170 |
| DEVELOPMENT OF A FRAMEWORK FOR EVALUATING THE RECYCLABILITY INDEX OF TEXTILE PRODUCTS. | |
| Emilie Thissen & Andrée-Anne Lemieux | 171-184 |
| FROM POST-HUMAN TO PRO-HUMAN: WHY THE FUTURE OF FASHION IS HUMANIST | |
| Benjamin Wild | 185-189 |
| EXPLORING META-EXPERIENCES: A CASE STUDY OF METAVERSE FASHION WEEK | |
| Bethan Alexander | 190-196 |
| INCEPTION OF LUXURY FASHION IN METAVERSE: A SYSTEMATIC LITERATURE REVIEW | |
| Anusha Arun | 197-211 |
| DIGITAL INNOVATION TRAJECTORY AND CULTURAL SHIFT IN THE FASHION INDUSTRY | |
| Laura Puricelli | 212-220 |
| TRANS: THREE-DIMENSIONAL COMPUTER TECHNOLOGIES IN MILLINERY; TRANSITION, TRANSLATION, AND TRANSFORMATION. | |
| Margo Barton | 221-228 |
| THE MIXED REALITY OF FASHION: EVOLVING FOR THE FIFTH INDUSTRIAL REVOLUTION | |
| Suruchi Dhasmana | 229-242 |
| RESEARCH ON THE DEVELOPMENT OF DIGITAL FASHION DESIGN THROUGH ONLINE GAMES | |
| Cherim Kim & Selee Lee | 243-250 |
| AI UPRISING- ANALYZING THE DISRUPTIVE TRANSFORMATION OF DESIGN EDUCATION, HEREAFTER | |
| Rishab Manocha | 251-263 |
| HUM(AI)N FASHION - A COLLABORATIVE DESIGN APPROACH TO REVOLUTIONISE FASHION INDUSTRY | |
| Kundlata Mishra & Shweta Rangnekar | 264-271 |
| GENERATIVE AI AND CELEBRITY/PUBLIC FIGURE IMAGE STIMULATION LICENSING AND WHAT WILL THIS ARRANGEMENT MEAN TO THE FASHION INDUSTRY | |
| Ruhi Munjial & Robin Mathew | 272-278 |
| FUTURE VISIONS OF US FASHION: TECHNOLOGY, PROXIMITY, AND BUYING LOCAL | |
| Noël Palomo Lovinski | 279-283 |
| A CASE STUDY ON HOW DIGITAL LITERACY IS COALESCING THE BOUNDARIES IN DESIGN WORLD | |
| Anu Sharma | 284-294 |
| COLLABORATIVE AND SUSTAINABLE CONSUMPTION IN THE GLOBAL LUXURY RESALE INDUSTRY | |
| Jihyun Kim Vick & Eunjoo Cho | 295-305 |
| SUSTAINABLE 3D PRINTING AEROGEL MATERIALS AND APPLICATION: A REVIEW | |
| Wenhuan Zhang, Yunyi Wang & Jun Li | 306-312 |
| CRAFTING CONSCIOUSNESS -THE EVOLUTION OF FASHION INDUSTRY’S FROM INDUSTRY 1.0 TO 5.0: MASS PRODUCTION TO HYPER-CUSTOMISED AND SUSTAINABLE PRODUCTION | |
| Purva Khurana & Aditi Mertia | 313-327 |
| CRITICAL APPLICATION OF INNOVATIVE DIGITAL TECHNOLOGIES TO ANALYSE PRACTICAL AND VIRTUAL FASHION PROVISION BEYOND IMAGE DEVELOPMENT INTO INTROSPECTION | |
| Phoebe Apeagyei & Kate Ryabchykova | 328-337 |
| ANIMISM AND TRANSHUMANISM: THE YIN AND THE YANG. FINDING A BALANCE BETWEEN NATURE AND TECHNOLOGY. | |
| Sara Kaufman, Carlos Gago Rodríguez & Anna Zinola | 338-349 |
| REVOLUTIONIZING FASHION EDUCATION:EMBRACING TRANSDISCIPLINARITY AND POST-HUMAN PERSPECTIVES IN DESIGN PEDAGOGY | |
| Iannis Bardakos, Karl Kristian Steinberg & Danilla Attivissimo | 350-357 |
| TOWARDS A PRE-PERSONAL AND AFFECTIVE FASHION. LIVED EXPERIENCE AND SOFT-WEARABLE TECHNOLOGIES | |
| Rebecca Louise Breuer | 358-364 |
| RESURGENCE OF HOPE THROUGH FASHION EDUCATION IN PRISONS OF INDIA POST-PAN DEMIC | |
| Bela Gupta & Maurizio Grioli | 365-369 |
| LEICESTER WARMING STRIPES: A LOCAL VISUAL RESPONSE TO CLIMATE CHANGE | |
| Carolyn Hardaker, Sally Gaukrodger-Cowan & Buddy Penfold | 370-380 |
| THE CYBORG AESTHETIC OF ALESSANDRO MICHELE | |
| Adrian Kammarti | 381-387 |
| CO-CREATION AND PRACTICE LED CRAFT DESIGN: A TOOL FOR EMPOWERING ARTISANS | |
| Shinju Mahajan & Usha Narasimhan | 388-400 |
| EFFECTIVENESS OF ONLINE/ HYBRID FASHION EDUCATION: AN APPROACH TO ANALYZE SKILL TRANSMISSION THROUGH VIRTUAL PLATFORMS | |
| Aditi Mertia & Purva Khurana | 401-408 |
| THE DESIGN SKETCHBOOK AS AN EXTENSION OF THE LEARNING PROCESS | |
| Anne Porterfield & Janie Woodbridge | 409-415 |
| FASHION LANDSCAPE: TAKING A GOOD IMAGE IS A BUSINESS DECISION | |
| Ruth Sanderson & Vicki Markham | 416-424 |
| LET’S GET PHYGITAL: A PROJECT INVESTIGATING THE CREATIVE PROCESS OF CRAFTING AR ADORNMENTS. | |
| Mala Siamptani | 421-433 |
| EXPLORING A NEW PARADIGM OF SUSTAINABLE FASHION DESIGN EDUCATION BASED ON POST-HUMANISM | |
| Hui Tao & Ziqing Wang | 434-443 |
| THE RESURGENCE OF LOCALISM IN FASHION: CELEBRATING THE TRADITIONS AND FOLK- LORE THROUGH STORYTELLING | |
| Shashiprabha Thilakarathne, Sumith Gopura, Alice Payne & Ayesha Wickramasinghe | 444-449 |
| POSTERS | |
| A MODEL-BASED SYSTEMS APPROACH TO CLARIFY THE INTERACTION BETWEEN WEARER AND SUSTAINABLE FASHION SYSTEM | |
| Ka Yi Lung & Masahiro Niitsuma | 451-452 |
| A STUDY ON CONSUMER ACCEPTANCE OF SECOND LIFE FASHION PRODUCTS AMONG WOMEN OF METROPOLITAN CITIES | |
| R Reshmi Munshi & Priyadarshini Veerabathula | 453-454 |
| ADAPTING DESIGN EDUCATION TO TECHNOLOGICAL ADVANCEMENTS AND POSTHUMANISM PARADIGMS: EXPLORING THE CLASH BETWEEN TRADITION AND INNOVATION | |
| Asheesh Saini, Anita Bora, Madhumita Ghosh & Aneesha Henry | 455-456 |
| APPLICATION OF HEALTH-ASSISTING KITS FOR THE ELDERLY IN LIVING SPACE AND BODY INTERACTION | |
| Ching-Chun Liu | 457 |
| BREAKTHROUGH IN FASHION IN THE POST-HUMAN ERA?: LUCY ORTA’S ARCHITECTURAL FASHION | |
| Yezy Ko | 458 |
| CIRCULAR ECONOMY AND FASHION UPCYCLING: ELIMINATING WASTE BY BRINGING UNSOLD APPAREL AND POST-CONSUMER TEXTILE WASTE BACK TO THE SUPPLY CHAIN | |
| Irina Pavlova & Gargi Bhaduri | 459-460 |
| CLASSIC GOING CONTEMPORARY: IMPACT OF TRADITIONAL CRAFTS AND TEXTILES ON FUTURE FASHION | |
| Priyadarshini Veerabathula & Reshmi Munshi | 461 |
| DECEPTIVE SOCIAL MEDIA ADVERTISING PRACTICES: THE EFFECT OF SPONSORSHIP DISCLOSURE ON CONSUMER PURCHASE INTENTION | |
| Alexandria Dorband, Jonghan Hyun & Jihyun Kim Vick | 462 |
| DESIGN AND DEVELOPMENT OF TEXTILE DESIGN FOR ROBOTICS: A CASE ON PARROT ROBOT | |
| Palak Agrawal, Shriya Rathore, Manasi Mamtora, Kaja Bantha Navas R & Jaishankar Bharatharaj | 463-464 |
| DESIGN FUNDAMENTAL-THE NARRATIVE SPIRIT AND PRACTICE IN SELF-EXPLORATION | |
| Liting Huang | 465 |
| DEVELOPMENT OF AN EMOTIONAL RESPONSE MODEL FOR HOSPITAL GOWN DESIGN | |
| Feng Zhou & Yu Zhao | 466 |
| FASHION FUSION NEXUS: BRIDGING BORDERS, BUILDING FUTURES | |
| Mary-Ann Ball & Rossie Kadiyska | 467-468 |
| FASHION IN THE METAVERSE: SHAPING THE FUTURE IN THE DIGITAL REALM | |
| Deep Sagar Verma & Ankita Pareek | 469 |
| FASHION WITH GOOD CAUSES: A RESOURCE-BASED VIEW TO FASHION CORPORATE PHILANTHROPIC STRATEGIES FOR DISASTER RELIEF | |
| Magnum Man-Lok Lam, Yumeng Chen, Christina W. Y. Wong, Eric Ping Hung Li & Man-lai Cheung | 470-471 |
| FROM ‘BEING’ TO ‘PERFORMANCE’: AN ANALYSIS OF FASHION AND MEDIA IN THE AGE OF POST-HUMANISM | |
| Ashish Mathai & Upasna | 472 |
| FUTURE BRANDS- AN ANTHOLOGY OF ASPIRATIONS OF GEN-Z DESIGN STUDENTS | |
| Puja Arya & Gauri Kathju Purohit | 473 |
| HANDLOOM ECOSYSTEM: REVIVAL OF TRADITIONAL TEXTILE CULTURE OF SRI LANKA THROUGH MAINSTREAM FASHION TRENDS | |
| Jinendra Lakmini Hewagama, Ayesha Wickramasinghe & Sumith Gopura | 474 |
| IS THE METAVERSE FOR TEENS? A PROFILE ANALYSIS OF METAVERSE USERS | |
| Suhyoung Ahn & Byoungho Ellie Jin | 475-476 |
| LEARNING EMPATHY DESIGN BY WORKING WITH VISUALLY IMPAIRED ATHLETES | |
| Yong-Xue Hsieh | 477 |
| MEN’S INTIMATES APPAREL: DEVELOPMENT OF A SIZING SYSTEM TO ALIGN WITH THE NEEDS OF CONSUMERS OF THE MEN’S UNDERWEAR MARKET | |
| Daniel Fladung | 478 |
| META-ANALYSIS FOR ENVIRONMENTALLY SUSTAINABLE PRACTICES IN DIGITAL KNITWEAR | |
| Lauren Street, Gargi Bhaduri & Krissi Riewe Stevenson | 479-480 |
| NAVIGATING CHANGE: SHIFTING IDENTITIES IN FASHION FROM BRAND-CENTRIC CAPITALISM TO POST-PANDEMIC CONSUMER FOCUS | |
| Shipra Kukreja | 481-482 |
| PRELIMINARY STUDY ON SHAPING EFFECT OF BRA GORE | |
| Yu Liu | 483 |
| PUTTING TOOLS IN THE HANDS OF STUDENTS: A 1/3 SCALE DRESS FORM TO MAKE AT HOME | |
| Anne Porterfield & Janie Woodbridge | 484-485 |
| REPURPOSING CIGARETTE BUTTS INTO USABLE TEXTILES | |
| Paridhi Dhanuka & Shriya Tripathi | 486 |
| RESEARCH ON THE APPLICATION OF AUSPICIOUS ANIMAL IMAGE ELEMENTS IN “THE CLASSIC OF MOUNTAINS AND SEAS” IN CONTEMPORARY FASHION DESIGN | |
| Bingbing Du & Kailun Feng | 487 |
| THE IMPACT OF COVID-19 ON RESALE STORES: A CASE STUDY | |
| Phoebe Carlton & Gargi Bhaduri | 488-489 |
| THE PRIVATE WARDROBE: A LOOK INTO THE SUSTAINABILITY OF FASHION RESTORATION | |
| Wei Chen & Liting Huang | 490 |
| TOWARDS SUSTAINABLE TOURISM THROUGH FASHION RENTALS: A QUALITATIVE STUDY ON INDIAN MILLENNIALS PERSPECTIVES | |
| Ritu Jain | 491 |
| TRANSFORMATION OF FLEX BANNERS IN KOLKATA TO A VALUE-ADDED PRODUCT: A DIFFERENTIAL AND INNOVATIVE APPROACH | |
| Anjali Agrawal & Akanksha | 492 |
| CREATIVE PRACTICE WORKS | |
| BODY HOME : SUSTAINABLE FASHION DESIGN THROUGH ORIGAMI-INSPIRED GEOMETRIC SPACE EXPLORATION | |
| An-Li Su & Feng-Yu Hsu | 494 |
| COUTURE REIMAGINED: A POST-HUMAN EXPLORATION OF LUXURY FASHION CRAFTSMANSHIP THROUGH 3D ANIMATION AND TOILE FOR DIVERSE AUDIENCES | |
| Christian Kuhwlad, Kate Ryabchykova, Anthony Bukowski & Zhe Wang | 495-496 |
| GROWTH AND CHANGE - INNOVATION IN MIAO ETHNIC CLOTHING DESIGN | |
| Yan Zhang & You Zou | 497-498 |
| IMPROVED BRA DESIGN USING DIGITAL CAD & KNIT TECHNOLOGIES | |
| Krissi Riewe Stevenson | 499 |
| LIVE COMPOSITION & MARK MAKING: AN EXPLORATION OF MAXIMALIST RUG TUFTED FASHION USING SECOND HAND, DECONSTRUCTED YARNS | |
| Lauren Street | 500-501 |
| PLANET C- THE COLLECTIVE POWER OF CREATIVITY TO TACKLE POSTHUMANISM | |
| Ulrike Nägele & Claudia Ebert-Hesse | 502-503 |
| SEED-EMBEDDED TEXTILE: A PARADIGM SHIFT IN SUSTAINABLE FASHION FOR FASHION FURNISHING | |
| Swati Sharma & Mallika Dabhade Samant | 504-505 |
| MEENJHAR- A FLOWER OF HOPE IN THE DESERT STATE OF INDIA | |
| Anjali Patni | 506-507 |
| WORKSHOPS | |
| MANNEQUIN AND AVATAR AS A POSTHUMAN FASHION PRACTICE. | |
| Jayne Mechan & Adrian Thornton | 509-514 |
| SUSTAINABLE COUTURE: CRAFTING A NEW NARRATIVE FOR POST-HUMANIST FASHION | |
| Sulbha Jagat & Harroop Kaur Grang | 515-522 |
| TRANSHUMAN PEDAGOGY: WEAVING AI INTO FASHION EDUCATION | |
| Elisabeth Droog | 523-525 |
| APPENDIX : POSTER GALLERY |
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