Table of Contents : Proceedings of the 24th IFFTI Annual Conference (2022)
| CONTENTS | |
| ACKNOWLEGMENT | |
| INTRODUCTION | |
| FULL PAPER | |
| THE STRUCTURE OF THE GHANA FASHION INDUSTRY IN THE IMPLEMENTATION OF SUSTAINABLE STRATEGIES | |
| Akosua Mawuse Amankwah, Edward Appiah, Charles Frimpong and Anthony Kent* | 11-28 |
| HOW DOES PROTEST WEAR CONTRIBUTE TO WOMEN’S ACTIVISIM | |
| M Deniz Aslan | 29-41 |
| THE FUTURE OF FASHION EDUCTAION: addressing, pedagogy, policy and professionalisation | |
| Anthony Bednall | 42-60 |
| DISRUPTING PLACE-BASED FASHION FUTURES | |
| Martin Bonney | 61-79 |
| FASHION’S AWKWARD RELATIONSHIP WITH COOL – AND WHY IT MATTERS NOW | |
| Vanessa Brown | 80-92 |
| DECODING SOFT: gen z soft masculine menswear trends through semantic network analysis | |
| Tin Chun Cheung and Sun Young Choi | 93-112 |
| REVOLUTION RETOLD: classroom to real world. | |
| Lauren Copeland and Kendra Lapolla | 113-125 |
| INSIDE THE WESTMINTERS MENSWEAR ARCHIVE: a case study of garment-research as a pedagogical practice | |
| Andrew Groves, | 126-147 |
| THE CHANGING FACE OF KHADI: a heritage fabric | |
| Shruti Gupta | 148-164 |
| T-EXTINCTION: A co-created fashion and textiles sustainability awareness project that takes a long-time approach | |
| Carolyn Hardaker, Sally Gaukrodger-Cowan and Buddy Penfold | 165-174 |
| THE POSSIBILITY OF UNSEEN CREATION WITH WHITE, ‘THE COLOUR OF NOTHINGNESS’ | |
| Sayaka Kamakura | 175-190 |
| AN ATTEMPT TO CREATE A NEW VALUE OF TRADITIONAL JAPANESE CLOTH: sustainable clothing design using Sakiori weaving | |
| Kyoko Kubodera | 191-202 |
| TAKING STUDIOS VIRTUAL AND ELEVATING CRAFT | |
| Traci Lamar and Kate Nartker | 203-214 |
| RE-DESIGN FOR PRE-DESIGN: discarded garments as a tool for garment-based learning in fashion knitwear design education | |
| Karin Landahl and Stephanie Malmgren de Oliveira | 215-226 |
| PRACTITIONER-RESEARCH LEARNING: a study of adding research elements in fashion and textile design education.... | |
| Qingxin Peng and Kinor Jiang | 227-241 |
| PASSING THROUGH GENERATIONS WITH GRACE: the journey of a traditional silk saree in various forms and sizes before the disposal | |
| Geetha Ranjini and Dr. Sasirekha | 242-260 |
| RIGWNAI FROM COSTUME TO PRODUCT DIVERSIFICATION: a study on revival of tribal textile of the Reang tribe of Tripura India | |
| Paramita Sarkar, Nilanjana Bairagi and Avani Pandeya | 261-274 |
| THE AFFORDANCES OF AFFORDANCE THEORY FOR SUSTAINABLE FASHION DESIGN PEDAGOGY | |
| Alexandra Sherlock, Tassia Joannides and Pennie Jagiello, | 275-297 |
| WEARING DIGITAL BODIES: designing and experiencing dress as poly-body objects at the intersection of the physical and the digital | |
| Jan Tepe | 298-315 |
| PRODUCT DIVERSIFICATION AND DESIGN DEVELOPMENT IN HANDICRAFTS: a study of artisans at Khetikhan and Logaghat (Uttarakhand, India) | |
| Shagun Tewari and A. Srinivasa Rao | 316-329 |
| MOVING BEYOND THE INNOVATIVE: an experiment in demystifying deconstructed fashion | |
| Nithya Venkataraman and N. Elangovan, | 330-348 |
| LOOKING FOR THE TV SOUND: music video as fashion object | |
| Ailsa Weaver | 349-364 |
| DESIGNER’S PERSPECTIVE OF DIGITAL KNITTING: from fashion design to wearable technology | |
| Yishu Yan | 365-377 |
| INTERACTIVE PRACTICES IN REMOTE TEACHING OF STUDIO CLASSES: a jewellery design case study | |
| Wendy Yothers and Tomoyuki Chie Teratani | 378-407 |
| EMERGING DISTINCTIONS IN GLOBAL FASHION: a new landscape for fashion capitals? | |
| David Zajtmann | 408-418 |
| (CO-) DESIGN FOR UNDERSTANDING: mediating between processes of multi-stakeholder value creation towards circular fashion and textiles | |
| Freya Zaplata, Anja Köppchen, Theresia Grevinga and Daniëlle Bruggeman | 419-440 |
| DEVELOPMENTAL PAPERS | |
| CREATIVE CUTTING APPROACHES: designing through a method | |
| Corneliu Dinu Bodiciu | 442-452 |
| A GUIDELINE FOR CONSCIOUS ENGAGEMENT WITH CRAFT ARTISANS . | |
| Martin Bonney | 453-459 |
| THE ROLE OF CHATBOTS AND THE ONLINE CUSTOMER EXPERIENCE IN LUXURY FASHION RETAILING | |
| Ruofei Chen | 460-469 |
| MATERIAL ENCOUNTERS: using video elicitation and journaling techniques to understand the hands-on experience of beginners learning to sew clothes for themselves during a global pandemic | |
| Sally Cooke | 470-478 |
| ‘FREE-FROM’ FASHION ILLUSTRATION: free from established canons | |
| Anamika Debnath and Deepak Goswami | 479-494 |
| HUMAN PSYCHE AND NEW NORMAL POST COVID-19 IN FASHION RETAIL SPACES IN INDIA | |
| Vibhavari Kumar | 495-510 |
| COLLABORATION AND THE REIMAGINED SURVIVAL OF THE CO-OPERATIV: an analysis of the challenges in sustaining a small business textile weaving industry in Botswana | |
| Anne Peirson-Smith and Maureen Sindisiwe Kalane | 511-517 |
| THE CHALLENGE OF SUSTAINABILITY TEACHING IN FASHION: a method merging practitioners and researchers. | |
| Silvia Pérez-Bou, Pedro Mir, Patricia San Miguel and Teresa Sádaba | 518-523 |
| THE IMPACT OF COVID-19 ON FASHION CONSUMER BUYING PERCEPTION | |
| Sushil Raturi | 524-537 |
| KnitWell:recording emotional state through creative, open-ended knitting practice | |
| Emily Joy Rickard | 538-546 |
| BIOTECHNOLOGY, BIO-FABRICATION, BIO FASHION: from living organisms to garments | |
| Elif Selamet | 547-564 |
| A CUT ABOVE THE REST: context, criticality and craft of creating a Saree blouse | |
| Taruna Vasu | 565-576 |
| INTERPRETING FASHION WITH BENFORD LAW: a probabilistic approach | |
| Deep Sagar Verma | 577-590 |
| DIGITISED FASHION SHOWS AND FASHION WEEKS IN THE COVID-19 AND POST COVID-19 ERA: the changing formats and meanings of mediating fashion. | |
| Zhe Wang | 591-608 |
| UNISEX FASHION: exploring the barriers that prevent marginal practices from becoming mainstream | |
| Zijie Xu, Jack Coffin and Rosy Boardman | 609-617 |
| EXPLORING THE INTEGRATION OF BOTH HUMAN AND TECHNOLOGY SERVICE INTERACTIONS IN FASHION RETAILING | |
| Eden Zhang | 618-627 |
| WORKSHOPS | |
| NOTTINGHAM LACE: textile heritage and authentic voices | |
| Professor Amanda Briggs-Goode, Dr Gail Baxter, Nichola Burton and Tonya Outtram | 629-634 |
| ACCELERATING ACTION FOR THE SUSTAINABLE AND CIRCULAR GARMENT AND FOOTWEAR INDUSTRY OF THE FUTURE: harnessing the potential of digital innovation for due diligence and informed consumer choices | |
| Hilde Heim, Courtney Chrimes and Yonghong Peng | 635-638 |
| FASHION FICTIONS WORLDS TOUR | |
| Amy Twigger Holroyd and Matilda Aspinall | 639-643 |
| FASHIONING KNOWLEDGE EXCHANGE: facilitating open collaborations to re-imagine fashion mediating fashion | |
| Noël Palomo-Lovinski, Linda Ohrn-McDaniel and Louise Valentine | 644-646 |
| PRACTICE-BASED WORK | |
| THE CUBOID: reclaiming eastern Japanese craft and speculating fashion exhibition through the metaverse | |
| Michael Charles, Daniel Rezandi, Philip Chee, Clarice Ng, Andrian Firmansyah and Nanda Handaru | 648-649 |
| FEELING FICTION. | |
| Emma Lynas | 650-652 |
| SHADOW WEAVE | |
| Kate Nartaker | 653 |
| MEMORIES: apparel design blending art, craft, and digital technology. | |
| Krissi Riewe Stevenson | 654-655 |
| REDESIGNING PPE: enhancing the comfort and safety of healthcare workers wearing isolation gowns to treat patients with COVID-19. | |
| Katherine Townsend, Sonja Sterman, Eloise Salter and Karen Harrigan | 656-658 |
| POSTER ABSTRACTS | |
| EXPLORATIONS OF AI-GENRATED ARTWORK AS A CONCEPTUAL BOARD: walking into the metavers. | |
| Lidya Chrisfens | 660-661 |
| THE GLASS BANGLE INDUSTRY OF FIROZABAD: a conflict of parallels | |
| Saumya Gupta, Zeenat Kaisher, Sushma S. Jois, Charul Shah, Priyanshi Shukla, Anamika Debnath and Montu Basak | 662-663 |
| CREATING IMMERSIVE ONLINE SHOPPING EXPERIENCE FOR AN UPCYCLED FASHION BRAND | |
| Congying Guan | 664 |
| HAND TO MIND: The Paradigm Shift in Fashion Education | |
| Lavdeep Singh | 666-667 |
| PROACTIVE EDUCATION AS A TOOL FOR MEDIATING FASHION ACROSS BORDERS: building a library of fashion business case studies to teach sustainability | |
| Vladimira Steffek and Rossie Kadiyska | 668-669 |
| ARTISTS IN RESIDENCIES OR HACKATHONS? FUTURE RECRUITMENT STRATEGIES IN FASHION-TECH | |
| Michele Danjoux and Jose Teunissen | 670 |
| AN ETHNOGRAPHIC STUDY ON MOTIFS OF TANGALYA WEAVING | |
| Hir Vyas | 671 |
| WEAVE COLOUR SCOPE INSPECTION IN JACQUARD WOVEN FABRIC REPRODUCTION IMPROVEMENT | |
| Lei Zeng, Ken Ri Kim, and John Xin | 672 |
| POSTER GALLERY |