Table of Contents : Proceedings of the 25th IFFTI Annual Conference (2023)
| CONTENTS | |
| ACKNOWLEDEGMENTS | |
| INTRODUCTION | |
| FULL PAPER THEMES | |
| ANALYSING SOCIAL STATUS AND PURCHASING BEHAVIOUR WITHIN VIRTUAL WORLDS | |
| Kylee Mitchell, Dr. Carolina Quintero Rodriguez; School of Fashion and Textiles, RMIT University, Melbourne, Victoria, Australia | 13-18 |
| LACE ASSEMBLAGES: EXTENDING SOCIAL AND CULTURAL KNOWLEDGE THROUGH PRACTICE-LED EXPLORATION OF THE MATERIALITY OF ANCESTRAL LACE TEXTILES | |
| Molly Ryan, Curtin University, Perth, Australia | 29-47 |
| TURNING THE POINT: PERSONAL TRAITS AND CHALLENGES DURING SMALL BUSINESSES’ GROWTH | |
| Mo Jia, Dr.Carolina Quintero Rodriguez; School of Fashion and Textiles, The Royal Melbourne Institute of Technology (RMIT), Melbourne, Victoria, Australia | 48-63 |
| ADAPTIVE SPORTSWEAR FOR WHEELCHAIR TENNIS PLAYERS IN INDIA | |
| Subhalakshmi, Kropi Bhuyan and Nilanjana, Bairagi; National Institute of Fashion Technology, Bengaluru, India | 64-74 |
| FASHION FOR ALL – CREATING INCLUSIVE APPAREL | |
| Prof. Usha Narasimhan, Ph.D., and Prof. Dr. Shinju Mahajan; National Institute of Fashion Technology, New Delhi, India | 75-91 |
| SEEING THINGS: OPPORTUNITIES FOR THE DEVELOPMENT OF STUDENT- FOCUSSED CURRICULUM AMIDST PANDEMIC CHALLENGES | |
| Lisa McEwan, Auckland University of Technology (AUT), New Zealand | 92-107 |
| A REFLECTION OF INDIGENOUS CRAFTS THROUGH PERFORMANCE WEAR | |
| Kundlata Mishra and Shweta Rangnekar; Patricia Sumod National Institute of Fashion Technology, Mumbai, India | 108-124 |
| CONSUMER CULTURE, YOUTH’S SELF-IMAGE AND BRAND IMAGE OF KHADI TEXTILES | |
| Dr. Upinder Kaur, Associate Professor, National Institute of Fashion Technology, New Delhi, India | 125-136 |
| CULTURAL CONDITIONING: A STUDY OF INHERITED SUSTAINABLE PRACTICES | |
| Pooja Kapoor, National Institute of Fashion Technology (NIFT, New Delhi), India | 137-145 |
| KHADI: A HERITAGE FABRIC FOR SELF-RELIANT INDIA | |
| Shruti Gupta, Assistant Professor, NIFT Panchkula, Haryana, India; Prof. (Dr.) Deepali Rastogi, Lady Irwin College, New Delhi, India; Prof. (Dr.) Ritu Mathur, Lady Irwin College, New Delhi, India | 146-157 |
| EMBRACING THE THIRD DIMENSION, EXPLORING ‘PHYGITAL’ CONNECTIONS BY HONOURING TECHNOLOGY AND TRADITION | |
| Adrian Thornton, Jayne Mechan, and Becky de Lacy; Manchester Fashion Institute, Manchester Metropolitan University, United Kingdom | 158-171 |
| THE ONGOING DEVELOPMENT OF THE CREATIVE COMMUNITIES: PAST, PRESENT AND FUTURE | |
| Buddy Penfold, Carolyn Hardaker, and Sally Gaukrodger-Cowan; De Montfort University, Leicester, United Kingdom | 172-182 |
| CO-CREATION IN THE TRADITIONAL NAMDA CRAFT OF GUJARAT: A DESIGN THINKING APPROACH | |
| Rupali Pandit, Sumita Agrawal; National Institute of Fashion Technology, Gandhinagar, India | 183-199 |
| RESTORING ARTISAN ESTEEM: ‘ÂTM SAMMĀN’ (Hindi) | |
| Ms. Suruchi Banerjee Dhasmana, Assistant Professor, National Institute of Fashion Technology, Mumbai, India | 200-219 |
| THE FUTURE OF OUR PAST: CURVING A MINDFUL FUTURE THROUGH INDIGENOUS FASHION PRACTICES | |
| Dr. Sreenanda Palit, Associate Professor, Fashion Communication Department, NIFT, Kolkata, India | 220-234 |
| DESIGNING FOR SUSTAINABLE EMOTIONAL EXPERIENCES: UNDERSTANDING KEY VARIABLES IN ATTRIBUTING EMOTIONS TO TACTILE MATERIAL SENSATIONS THROUGH THE MaTE TOOLKIT | |
| Ms. Rashmita Bardalai, School of Fashion & Textiles, RMIT University, Melbourne, Australia; Ms. Rashmita Bardalai, School of Fashion & Textiles, RMIT University, Melbourne, Australia | 235-250 |
| KNOWNS: A FRAMEWORK FOR THE HOLISTIC UNDERSTANDING OF CRAFT ECOSYSTEMS | |
| Adrian Huang, LASALLE College of the Arts, Singapore, Singapore | 251-271 |
| USER-CENTRIC DESIGN RESEARCH FOR TODDLERS’ FOOTWEAR: CONCEPTUAL FRAMEWORK USING MULTIPLE RESEARCH APPROACH | |
| Professor Shinju Mahajan, Ph.D., Department of Leather Design, National Institute of Fashion Technology, New Delhi, India; | 272-283 |
| Professor Nilanjana Bairagi, Ph.D., Department of Textile Design, National Institute of Fashion Technology, Bengaluru, India | |
| LIFE CYCLE ENVIRONMENTAL IMPACT ASSESSMENT OF TEXTILES AND APPAREL | |
| Yan, Luo; College of Fashion and Design, Donghua University, Shanghai, China | 284-299 |
| Xuemei, Ding; Key Laboratory of Clothing Design & Technology, Ministry of Education, Donghua University, Shanghai, China | |
| SUSTAINABLE ACCOUNTABILITY OF A GARMENT PRODUCT | |
| Amit Kumar Anjanee and Preyashi Kumari, Department of Fashion Technology, National Institute of Fashion Technology, Chennai, India | 300-315 |
| KĀKAHU HOU: THE BREATH OF CLOTH | |
| Bobby Luke, Ngati Ruanui, Ngaruahine, Taranaki Whanui; School of Design and Innovation, Victoria University of Wellington, New Zealand | 316-327 |
| PROPOSING SARI AS A CONTEMPORARY DRESS | |
| Rekha Shailaj, Otago Polytechnic | Te Pūkenga, Dunedin, New Zealand | 328-347 |
| TEACHING FASHION WITH THE CASE STUDY METHODOLOGY: COMPARISON BETWEEN SPAIN AND CANADA | |
| Teresa Sádaba Garraza, Silvia Pérez-Bou, Rossie Kadiyska, and Vladimira Steffek; ISEM Fashion Business School. University of Navarra, Madrid, Spain | 348-360 |
| A STUDY OF CONTEMPORARY SIRAYA CEREMONIAL COSTUMES AND CULTURAL IDENTITY | |
| Lucy (高于茹), Kao Yu Lu, Department of Textile and Clothing, Fu Jen Catholic University, Xinzhuang, New Taipei City, Taiwan | 361-375 |
| HEAVENLY FLOWER GARDEN, EARTHLY FLOWER PATTERN: A PRELIMINARY INVESTIGATION INTO THE SYMBOLIC AND STRUCTURAL ASPECTS OF THE EMBROIDERY SAMPLERS OF THE QINGSHUI RIVER BASIN OF QIANDONGNAN | |
| Zhaohua, Ho, Department of Textiles and Clothing, Fu Jen Catholic University, Xinzhuang, New Taipei City, Taiwan | 376-386 |
| Tingyu, Wang, Graduate Institute of Museum Studies, Fu Jen Catholic University, Xinzhuang, New Taipei City, Taiwan | |
| RECONSTRUCTING LATE QING HAN CHINESE WOMEN’S DRESS THROUGH MAKING AND WEARING | |
| Laurence Wen-Yu LI (李文玉), Department of Textiles and Clothing, Fu Jen Catholic University, Xinzhuang, New Taipei City, Taiwan | 387-400 |
| IN MEMORIAM, IN PRAESENTIA: LA CALAVERA CATRINA AND EMBODIMENT THROUGH A MEXICAN AESTHETIC EXPRESSION OF A SUBCULTURAL GOTHIC FASHION STYLE | |
| Kathryn A. Hardy Bernal, Yoobee College of Creative Innovation, New Zealand | 401-426 |
| MATERIALISING THE PHYSICAL LANDSCAPE OF THE KNIT DESIGNER: COLOUR AS METHODOLOGY | |
| Susie Cho, Auckland University of Technology, New Zealand | 427-440 |
| Amanda Smith, Auckland University of Technology, New Zealand | |
| SMOKE AND MIRRORS: SMOKEFREE SPONSORSHIP AND THE RECONCEPTUALISATION OF NEW ZEALAND FASHION DESIGN | |
| Natalie Smith, University of Otago, Dunedin, New Zealand | 441-453 |
| A DIGITAL-CRAFTING APPROACH TO KNITTED SURFACE TERRAINS | |
| Dr Rachelle Moore, Auckland University of Technology, New Zealand | 454-468 |
| AESTHETIC RENAISSANCE AGAINST WESTERN CONFORMITY: THE ROLE OF INDIGENOUS CULTURE | |
| Carlos Gago Rodriguez, Sara Kaufman, and Prof. Anna Zinola; Istituto Marangoni, Milan, Italy | 469-478 |
| DRESS AS AN EXPRESSION OF CULTURAL AND NATIONAL IDENTITY- A CASE STUDY OF THE TRADITIONAL DRESS OF THE TIBETANS IN EXILE IN INDIA | |
| Anahita Suri, Malini Divakala, NIFT, Hyderabad, India | 479-489 |
| TE AHO MUTUNGA KORE: TEXTILE AS CULTURAL CONTINUITY | |
| Donna Campbell PhD, Ngā Puhi, Ngāti Ruanui; University of Waikato, New Zealand | 490-506 |
| CONTEMPORARY APPROACHES TO DESIGNING AND DELIVERING A NEW MULTI-COUNTRY PROGRAM IN FASHION ENTERPRISE | |
| Tarun Panwar, RMIT University, Melbourne, Australia | 507-515 |
| ENABLING NEW VOICES THROUGH MARK MAKING AND PERSONAL CONNECTION IN DIGITAL KNITWEAR PRACTICES | |
| Finn Godbolt, AUT University, Auckland, New Zealand | 516-531 |
| Jyoti Kalyanji, AUT University, Auckland, New Zealand | |
| PERSONALISATION AND REPAIR IN FASHION | |
| Anthony Kent, Tom Fisher, Stella Claxton, Angharad McLaren, and Amy Twigger- Holroyd; Nottingham Trent University, Nottingham, United Kingdom | 532-542 |
| AUSTRALIAN TERTIARY LEVEL FASHION STUDENT UNDERSTANDING OF SUSTAINABILITY BASED ON THEIR FASHION EDUCATION | |
| Andrea Shabrokh, Dr.Carolina Quintero Rodriguez; School of Fashion and Textiles, RMIT University, Melbourne, Victoria, Australia | 543-555 |
| CONNECTING PATHWAYS THROUGH A MÉLANGE OF REFASHIONING AND REPURPOSING FABRIC WASTE BY USING SUSTAINABLE STRATEGIES | |
| Snehal Ninale, Mohika Joshi, Reema Chaugule; MKSSS’s School of Fashion Technology (SOFT), Pune, India | 556-574 |
| FROM PAST TO FUTURE DESIGN DECISIONS: EXPLORING THE GARMENT AS INSTIGATOR OF CHANGE | |
| Stefanie Malmgren de Oliveira, University of Borås, Sweden | 575-589 |
| Karin Landahl, University of Borås, Sweden | |
| DEVELOPMENT PAPERS | |
| AD(DRESSING) INDIGENEITY: IDENTITY, HEALING, AND SOCIAL CHANGE THROUGH CLOTHING, FASHION, AND STYLE | |
| Treena Clark, University of Technology Sydney, Sydney, Australia | 591-599 |
| CONCEPTUAL DESIGN FRAMEWORK OF ‘INCLUSIVE ADAPTIVE CLOTHING’ FOR PEOPLE WITH SPINAL CORD INJURY | |
| Bhawna Chauhan, Assistant Professor, National Institute of Fashion Technology, Panchkula, India | 600-609 |
| Dr. Varsha Gupta, Professor, National Institute of Fashion Technology, New Delhi, India | |
| Dr. Chitra Kataria, Principal, Indian Spinal Injuries Centre, New Delhi, India | |
| FASHIONING IDENTITY | |
| Dr Anne Farren, Curtin University, Perth, Australia | 610-620 |
| HE KURA TOI, HE TOI HOU – TRADITIONAL DESIGN INFORMS DESIGN FUTURES | |
| Jyoti Kalyanji, Auckland University of Technology, New Zealand | 621-639 |
| Keri Wanoa, (Ngāti Porou/Ngā Puhi) Whiri Design / Wanoa Four, New Zealand | |
| Hemi Sundgren, (Te Atiawa ki Whakarongotai/Ngāti Toa/Ngāti Raukawa) Whiri Design / Wanoa Four, New Zealand | |
| NAVIGATING IDENTITY THROUGH TEXTILES: A JOURNEY OF WHAKAPAPA | |
| Sofia Heke (Ngāti Ranginui), Otago Polytechnic | Te Pūkenga, Dunedin, New Zealand | 640-651 |
| RE-FORM: A MODERN LOOK AT THE TEACHING OF PRACTICAL FASHION SKILLS | |
| Ra Thomson, Fashion Design Department, Shih Chien University, Zhongshan District, Taipei City, Taiwan | 652-661 |
| RE:RE:RE: SUPERMODERN FASHION AND FASHION DESIGN IN THE 21st CENTURY | |
| Anessa Starker, Otago Polytechnic | Te Pūkenga, Dunedin, New Zealand | 662-669 |
| SOFT BOUNDARIES: MAKING SPACES | |
| Krissi Riewe Stevenson, Kent State University, Ohio, USA | 670-679 |
| THE TEXTILE THAT SPEAKS: THE ART OF THE GHANAIAN KENTE CLOTH | |
| Dr. Sharon Nunoo and Dr. Claudia E Henninger, Manchester Metropolitan University, Manchester, United Kingdom | 680-684 |
| USING BOUNDARY OBJECTS FOR CROSS-DOMAIN COLLABORATION BETWEEN TRADITIONAL FASHION DESIGNERS AND COMPUTATIONAL SPECIALISTS | |
| Lionel Wong Zhen Jie, The Hong Kong Polytechnic University, Kowloon, Hong Kong | 685-696 |
| WEAVING AND INTERWEAVING: THE MULTIFACETED AVENUE | |
| Eléonore Hauptmann, Ecole Doctorale 559 Management Panthéon-Sorbonne, laboratoire GREGOR, Institut Français de la Mode, France | 697-708 |
| PRACTICE BASED RESEARCH | |
| DISSECTING THE DIASPORIC IDENTITY IN SINGAPORE THROUGH DRESS | |
| Michael Rezandi, Nicolette Ow, Clarice Ng, and Lokesjwara Prabhu; LASALLE College of the Arts, Singapore, Singapore | 710-711 |
| KŌTUI | |
| David K. Shields, photographer, and Kiri Nathan, artist; New Zealand | 712-714 |
| SKIN D.E.E.P.: KIRITUHI | |
| Margarita Benitez, Kent State University, KENT, USA | 715-717 |
| Markus Vogl, University of Akron, Akron, USA | |
| SOLO FLIGHT: COLLABORATIVE PRACTICES AND INDIVIDUAL PERFORMANCES FOR COMMUNITY ENGAGEMENT | |
| Lisa McEwan, Auckland University of Technology (AUT), Tāmaki Makaurau Auckland, New Zealand | 718-720 |
| Heidi Latsky, Heidi Latsky Dance, New York, USA | |
| Loren Abdulezer, Evolving Technologies Corp., New York, USA | |
| Jen Bricker, Los Angeles, USA | |
| WHAKAPAPA, ANCESTRY AND CONTEMPORARY FASHION PRACTICE | |
| Tracy Kennedy and Tania Allan Ross, School of Design, Otago Polytechnic, Dunedin, New Zealand | 721-723 |
| POSTERS | |
| CONNECTING SENSORY PERCEPTION AND FASHION DESIGN | |
| Monika Dolbniak, MA Textiles, School of Design, Royal College of Art, London, England | 725 |
| CORPORATE MORAL RESPONSIBILITY: ANTECEDENTS AND PRECEDENTS OF PERCEIVED CORPORATE HYPOCRISY | |
| Gargi Bhaduri, Ph.D., Kent State University, Kent, Ohio, USA | 726 |
| Saheli Goswami, Ph.D., University of Rhode Island, Kingston, USA | |
| COTTON WOVEN: DURABILITY AND SUSTAINABILITY | |
| Jeremy Avila, Walter Piotrowski, Sean Cormier, and Md Imranul Islam; Textile Development and Marketing Department, Fashion Institute of Technology, New York, USA | 727 |
| TEACHING CONSCIOUS ENTREPRENEURSHIP THROUGH PROJECT-BASED LEARNING PROJECT | |
| Gargi Bhaduri, Ph.D., Kent State University, Kent, Ohio, USA | 728 |
| WORKSHOPS | |
| HARAKEKE RARAKA | |
| Amber Bridgman, Ōtepoti Dunedin, New Zealand | 730-732 |
| FASHION UTOPIAS: AN EXPLORATION OF THE POSSIBLE BASED ON NEW ECOLOGIES OF MATTER & WHANAUNGATANGA (RELATIONSHIP BUILDING) WITH CLOTHES | |
| Jennifer Whitty, Victoria University Wellington, New Zealand | 733-734 |
| FLUID OWNERSHIP AND SHARED REWARDS | |
| Dr Marco Mossinkoff, Dr Deborah Tappi, and Dr Troy Nachtigall, Amsterdam Fashion Institute, Amsterdam University of Applied Sciences, Amsterdam, Netherlands | 735-736 |